The Poetry of Igue Festival’s Song-Text
This study attempts a poetic analysis of the Igue festival song text. Igue festival is one of the major cultural markers among the Edos, a strategic ethnic group in Nigeria. It is an annual event that ushers in a new year for every Edospeaking person. It is characteristic of the famous “head washing” and the significant display of ‘Ewere leaves”. These are two important cultural practices are central to the royalty and overall development of the Edo kingdom. The study indicates that beyond the historical and cultural implications of the songs is an intricate and predominant interplay of poetry and other aesthetic resources. The songs were analysed based on the critical approach of literary stylistics. This approach was used to examine the literary forms and functions of the selected text within the framework of oral literatures. Finally, it is discovered that the songs have creative potentials and artistic qualities which justify their appreciation as essentially literary masterpiece.
Key words: Poetry; Igue; Edo; Orality,; Festival; Songs
Akpabot, S. (1981). Musicological Approach to Efik/Ibibio. In A. Uchegbulem, A. Garba and A. Regina (Eds.), Oral Poetry in Nigeria (pp. 86-92). Lagos: Nigeria Magazine.
Emovon, A. (1981). The Edo (Bini) Example. In A. Uchegbulem, A. Garba and A. Regina (Eds.), Oral Poetry in Nigeria (pp. 264-271). Lagos: Nigeria Magazine.
Fashina, N. (2009). Of what sex is the text? A new reading of gender characterization as a trope of harmony, cooperative principle and joint heroism in Gabriel Okara’s The Voice. African Study Monographs 30. 2:71-87.
Finnegan, R. (1970). Oral Literature in Africa. Oxford: Clarendon Press.
Kunene, D. (1971). Heroic Poetry of Basotho. Oxford: Clarendon Press.
Lord, A. (1960). The Singer of Tales. Cambridge: Harvard University Press.
Merriam, P. (1964). The Anthropology of Music. Evanston: Northwestern University Press.
Millet, B., Hoffman, W., & Clark, D. (1950). Reading Poetry. New York: Harper and Row Publishers.
Okpewho, I. (1985). The Heritage of African Poetry. England: Longman Group Limited
Olajubu, O. (1981). Yoruba Oral Poetry. In A. Uchegbulem, A. Garba and A. Regina (Eds.), Oral Poetry in Nigeria (pp. 70-78). Lagos: Nigeria Magazine.
Schechner, R. (1998). Performance Theory .London and New York: Routledge.
- There are currently no refbacks.
How to do online submission to another Journal?
If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:
1. Register yourself in Journal B as an Author
Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.
Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: firstname.lastname@example.org; email@example.com; firstname.lastname@example.org
Copyright © 2010 Canadian Academy of Oriental and Occidental Culture
Address: 9375 Rue de Roissy Brossard, Québec, J4X 3A1, Canada
Telephone: 1-514-558 6138
E-mail: email@example.com; firstname.lastname@example.org; email@example.com