Virginia Woolf’s Androgynous Feminist Tendency in Orlando: A Biography

Mengyuan HAO, Rongying ZHENG

Abstract


Virginia Woolf is one of the great stream-of-consciousness novelists of the 20th century and a pioneer of feminism. The core of her feminist ideology, androgyny, is best reflected in Orlando: A Biography, in which the author strongly criticizes the oppression of women in a patriarchal society, but at the same time opposes extreme gender antagonism. Woolf believes that there are two parts in every person’s mind, male and female, and that only when the two parts are integrated can the ideal state be achieved. This is also true for literature, as only writers with androgynous characteristics can produce the greatest works.

 


Keywords


Virginia Woolf; Androgyny; Orlando: A Biography

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References


---. (2004). Orlando: A biography. London: Penguin Books Ltd.

Helt, B. S. (2010). Passionate debates on “Odious Subjects”: Bisexuality and Woolf’s opposition to theories of androgyny and sexual identity. Twentieth Century Literature, 56(2), 131-167.

Li, J., & Zhong, J. (2022, June). A study on the gender fluidity of the protagonist in Orlando from the androgyny vision. International Journal of Social Science and Human Research, 05, 2171-2176.

Woolf, V. (2016). A room of one’s own. London: Vintage Classics.

Xin, Z. (2016). An exploration into androgyny—A critical study of Virginia Woolf’s novels, Shanghai International Studies University.




DOI: http://dx.doi.org/10.3968/12931

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