Understanding Compassion: On The Iceman Cometh

Wenhua LI

Abstract


In O’Neill’s The Iceman Cometh, we meet another kind of family, seventeen roomers in Harry Hope’s saloon who sustain their lives by whiskey and pipe dreams. They all try and help one another, depend on each other, and in fact, their sense of family supports them as they sing the refrains of songs, boast of their glorious past, and wait for the brilliant future that will never come. Through dealing with O’Neill’s tragic experience, his viewpoint of the theatre, backdrop of The Iceman Cometh, production of The Iceman Cometh, the value of strong emotions in tragedy and modern life characterized by repetitious talks, wrangling, laughing and fighting, this paper aims to point out that O’Neill is very close to those social outcasts of his old days at Jimmy the Priest’s and there is no doubt that O’Neill portrays them from his loving memory with deep sympathy and understanding.

Keywords


Emotion; Understanding; Compassion

Full Text:

PDF

References


Chang, Y. X. (1991). A brief American literature. Tianjin: Nankai University Press.
Besnier, Niko (1995). Literacy, emotion and authority: Reading and writing. Cambridge: Cambridge University Press.
Black, Stephen A. (2002). Eugene Oneill: Beyond mourning and tragedy. New Haven: Yale University Press.
Floyd, Virginia (1985). The plays of Eugene O’Neill: A new assessment. New York: F. Ungar Pub. Co..
Guerin, Wilfred (2006). A handbook of critical approaches to literature. Shanghai: Foreign Language Teaching and Research Press.
Manheim, Michael (1996). The cambridge companion to Eugene O’Neill (p.91). Cambridge: Cambridge University Press.
O’Neill, Eugene (1988). Selected letters of Eugene O’Neill (p.195). New Haven: Yale University Press.
O’Neill, Eugene (1988). Complete plays 1932-1943. New York: Literary Classics of the United States.
Styan, J. L. (1981). Moder drama in theory and practice 3: Expressionism and epic theatre. Cambridge University Press.
Wang, J. H. (2000). A handbook to English and American literature. Shenyang: Liaoning People’s Press.
Winner, Anthony (1983). Culture and irony studies in Joseph Conrad’s major novels. Virginia: University Press of Virginia.
Zhang, G. (1998). On famous western playwrights of modem drama and their best works. Beijing: Foreign Language Teaching and Research Press.
Zhu, T. B. (1991). Modem british and American literary criticism: An anthology. Shanghai: Shanghai Translation Press.




DOI: http://dx.doi.org/10.3968/n

Refbacks

  • There are currently no refbacks.


Copyright (c)




Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard


Reminder

How to do online submission to another Journal?

If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; sll@cscanada.net; sll@cscanada.org

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mailoffice@cscanada.net; office@cscanada.org; caooc@hotmail.com

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture