An Archetypal Study of Maxine Hong Kingston’s Work: The Woman Warrior

Xiaoxue WANG

Abstract


This article takes Maxine Hong Kingston’s works — The Woman Warrior as the object of study. Relying on Frye’s myth and archetypal criticism, through the analysis of myths and literary classical archetypal images, the paper illustrates Maxine Hong Kingston’s rewriting process systematically, thus discussing Chinese American’s survival condition and their inner world, and Chinese American’s dissimilation and naturalization in the dominant heterogeneous culture. Meanwhile, the thesis points out that Maxine Hong Kingston’s strategy of adapting myth is, in fact, a kind of recreation of literature. She has created a new form of “American myths”.


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References


Gao, Y. (1996). The art of parody: Maxine Hong Kingston’s use of Chinese sources. New York: Peter Lang Publishing, Inc.

Kingston, Maxine Hong (1989). At the western palace. New York: Vintage International.

Ling, A. (1990). Between worlds: Women writers of Chinese ancestry. New York: Pergamon Press.

Lu, J. (1998). Enacting Asian American transformation: An inter-ethnic perspective. Melus, (23), 4.

Skenazy, P. & Martin, T. (Eds.). (1998). Conversations with Maxine Hong Kingston. Jackson: University Press of Mississippi.

Zhu, G. (2001). Myth and archetypal criticism. Twentieth century western critical theories. Shanghai: Shanghai Foreign Language Education Press.




DOI: http://dx.doi.org/10.3968%2F4449

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