A Study on the Application Methods of College English Listening and Speaking Textbooks Based on the Production-Oriented Approach

Yuyi QIU

Abstract


The introduction of“Production-Oriented Approach”(POA) has charted a new direction for the reform of college English teaching. Under the guidance of this theory, it is necessary to explore the innovative methods to use the textbooks in college English listening and speaking courses. When using the series of textbooks iEnglish: Viewing, Listening and Speaking that are compiled based on POA, teachers first set clear output goals. Grounded in “Output-Driven Hypothesis”, “Input-Enabled Hypothesis”, and “Selective Learning Hypothesis”, they follow the teaching process of “Motivating—Enabling—Assessing” to strategically select, adapt, modify, and supplement the content of the textbooks. This approach effectively avoids the pitfalls of over-reliance on textbooks, improves the quality of students’ linguistic output, and ultimately realizes the educational philosophies of “Learner-Centered Principle”, “Learning-Using Integrated Principle”, and “Whole-Person Education Principle”.

 


Keywords


Production-oriented approach; College English listening and speaking; The application methods of textbooks; iEnglish: Viewing, Listening and speaking

Full Text:

PDF

References


Gui, J., & Zhu, Y. (2020). An action research on the setting of teaching objectives for production-oriented Chinese textbooks. Research on Chinese as a Second Language, (2), 150-161.

Jiang, S. Q. (2022). A study on college English listening and speaking instruction based on the production-oriented approach. Jiangsu Foreign Language Teaching and Research, 2022(1), 21-23.

Ministry of Education, Department of Higher Education. (2007). College English curriculum requirements. Beijing, China: Foreign Language Teaching and Research Press.

Tomlinson, B. (2012). Materials development for language learning and teaching. Language Teaching, 45(2), 143-179.

Wang, C. M. (2014). Idea creation and language imitation: An effective route to L2 learning and teaching. Foreign Language World, 2014(2), 42-48.

Wen, Q. F. (2015). Developing a theoretical system of production-oriented approach in language teaching. Foreign Language Teaching and Research, 47(4), 547-558.

Wen, Q. F. (2017). A theoretical framework for using and evaluating POA-based teaching materials. Foreign Language Education in China, 2017(2), 17-23.

Wen, Q. F., & Sun, S. G. (2020). Designing scenarios for the motivating phase in the production-oriented approach: Key elements and examples. Foreign Language Education in China, 2020(2), 4-11+90.

Zhang, W. J. (2015). “Enabling” students’ production to enable students’ language development: Applying production-oriented approach to TEFL classroom. Foreign Language Education in China, 2015(4), 10-17.

Zhong, Q. Q., Wang, X., & Wang, W. J. (2014). Curriculum and instruction theory. Shanghai, China: East China Normal University Press.




DOI: http://dx.doi.org/10.3968/13770

Refbacks

  • There are currently no refbacks.


Copyright (c) 2025 Studies in Literature and Language

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


 

Online Submissionhttp://cscanada.org/index.php/sll/submission/wizard

Please send your manuscripts to sll@cscanada.net,or  sll@cscanada.org  for consideration. We look forward to receiving your work.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: caooc@hotmail.com; sll@cscanada.net; sll@cscanada.org

 Articles published in Studies in Literature and Language are licensed under Creative Commons Attribution 4.0 (CC-BY).

 STUDIES IN LITERATURE AND LANGUAGE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.
Telephone: 1-514-558 6138 
Website: Http://www.cscanada.net; Http://www.cscanada.org 
E-mailoffice@cscanada.net; office@cscanada.org; caooc@hotmail.com

Copyright © 2010 Canadian Academy of Oriental and Occidental Culture