Probe into the Debate on the Position of “New Folk Song”

Xizheng ZHOU

Abstract


The debate on the position of “new folk song” reflects changes of music thoughts in the field of music creation and performance and differences in the way of its expression. The boundary between the “new folk song” and traditional folk song is the meeting of minds of new and old music creation. The change of singing styles of the “new folk song” is the reflection of modern trend of arts in the area of music performance. It shows the tendency and confliction between tradition culture and modern muliti-culture below its surface.

Key words: New folk song; Music trend; Modern art; Culture heritage

Résumé Les controverses de l’emplacement des ‘‘Nouvelles chansons populaires’’ reflètent les changements et les différences de la conception de la musique dans le domaine de l’interprêtation musicale et la création de la musique depuis la révolution culturelle. La définition des ‘‘Nouvelles chansons populaires’’ et des ‘‘Chansons populaire traditionnelles’’ c’est le croissement des conceptions de la création musicale. Le changement de style chant des ‘‘Nouvelles chansons populaires’’ se reflète dans le domaine d’interprêtation de la musique dans la mode de la conception de l’Art Moderne. Derrière cet effet, ce dernière apparaisse la direction de l’orientation et les conflits des éléments de la culture moderne et de la culture traditionnelle.

Mots clés: Nouvelles chansons populaires; Conception musicale; Art moderne; Patrimoine culturel


Keywords


New folk song; Music trend; Modern art; Culture heritage



DOI: http://dx.doi.org/10.3968%2Fj.ccc.1923670020120802.2600

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