Thought on Creation and Collection of Paintings With the Theme of Contemporary Chinese Revolutionary History

Ying XIONG

Abstract


Based on the development history of Chinese revolution, the recording in the form of painting can help to restore the scene by combining the related historic theme, thus enhance the authenticity of creation of paintings with the theme of contemporary Chinese revolutionary history and objectively help to raise collectors’ collection hobby and interest. This paper discusses the creation and collection of paintings with the theme of contemporary Chinese revolutionary history so as to realize comprehensive understanding of the creation and collection of paintings with the theme of contemporary Chinese revolutionary history and thus promote the development of paintings with the theme of contemporary Chinese revolutionary history.

Keywords


Chinese contemporary; Revolutionary historical themes; Creation; Collection

Full Text:

PDF

References


Chen, C. Y., Chen, L., Guo, L. S., Mu, R. F., Xu, J., & Wang, J. Y. (2015). Summary of the research achievements of Chinese fine arts in the period of “12th Five-Year”.Hundred Schools in Arts, (06), 47-51.

Chinese Version Library Monthly CIP Data Collection. (2013). New National Bibliograph, (04), 55-58.

Jian, F. (2013). On the Shen Yaoyi visual art history documentary. Journal of Tianjin Academy of Fine Arts,(02), 131-133.

Jing, Y., & Li, R. Y. (2003). Create the black art of the black soil of the age of truth, goodness and beauty—Summary of “the symposium on the development of Heilongjiang fine arts in the new century”. Arts Magazine,(12), 88-89.

Lu, J. (1999). Historical mission: A summary of the symposium on the theme of twenty-first century in China. Art, (11), 19-21.

Lu, Y. X. (2012). On the value of Chinese revolutionary history paintings. Journal of Zhejiang Vocational Academy of Art, (04), 71-72.

Wu, D. B., & Wang, H. O. (2011). Analysis of the present situation of the development of Chinese historical paintings. The Debate, (10), 181-182.

Yang, N. Q. (2014). Red memory, red classics and post - red classics—on the visual imagination of the political unconsciousness and its plural paintings. Academic Monthly, (01), 16-18.

Yin, S. X. (2011). The victory of the people—A study on the creation of Cai Liang’s revolutionary historical themes. Art Research, (03), 121-122.

Zhou, X. (2011). From political propaganda to tourism commodities—Huxian peasant paintings: An art creation and reproduction of the traditional. Folklore Studies,(04), 171-172.




DOI: http://dx.doi.org/10.3968/n

Refbacks

  • There are currently no refbacks.


Copyright (c) 2016 Wei LI

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.


Share us to:   


Reminder

  • How to do online submission to another Journal?
  • If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:

1. Register yourself in Journal B as an Author

  • Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.

2. Submission

  • Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.


We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases:
caooc@hotmail.com; sss@cscanada.net; sss@cscanada.org

 Articles published in Studies in Sociology of Science are licensed under Creative Commons Attribution 4.0 (CC-BY).

STUDIES IN SOCIOLOGY OF SCIENCE Editorial Office

Address: 1055 Rue Lucien-L'Allier, Unit #772, Montreal, QC H3G 3C4, Canada.

Telephone: 1-514-558 6138
Website: Http://www.cscanada.net; Http://www.cscanada.org
E-mail:caooc@hotmail.com

Copyright © 2010 Canadian Research & Development Centre of Sciences and Cultures