Artistic Characteristics of Fresco from the Perspective of Time-Space Construction
The time-space construction characteristic of fresco embodies the human’s idea of reflecting infinite spiritual strength in finite individuals. The time-space of fresco includes not only the traditional three dimensions of space: length, width and height, but also the time factor, and the introduction of the latter renders a kind of multidimensional characteristic for the time-space of fresco. The fresco composition is featured in multiple centers, rendering macroscopic, grand and grandiose sense of fresco. The visual perception and psychological feelings given to the people by the fresco widely differ from those of ordinary easel paintings. The time-space construction of fresco can be divided into three main classes: realistic and logical construction; super-realistic and non-logical construction; interactional construction of fresco in harmony with the environment. The time-space of fresco sources from the spiritual time-space created by artists.
Ban, L. (1999). Structural poetics. Inner Mongolia University Press.
Feng, Q., & Xu, X. T. (Eds.). (2000). Dictionary of foreign philosophies. Shanghai Lexicographical Publishing House.
Flam, J.·D.,·& Ou-Yang, Y. (Trans.). (1987). Matisse on art. Jinan Fine Arts Publishing House.
Goble, F. (2001). The third force: The psychology of Abraham Maslow. Shanghai Translation Publishing House.
HilleBrecht, M.·K., & Chen, Y. P. (Trans.). (1989). Moderne kunst (p.56, p.136 & p.123). Shanghai Literature and Art Publishing House.
Kandinsky & Li, Z. W. (Eds.). (1999). Spirit in arts. P289
Li, Z. H. (1999). History of Chinese esthetics. Anhui Literature & Art Publication House.
Li, Z. H. (1999). Miscellanies on aesthetics. Anhui Literature & Art Publication House.
Wang, Y. C. (1994). Ontology of art. Shanghai Branch of SDX Joint Publishing Company.
Wu, S. (2000). Exploration on Chinese imagery poem. Sun Yat-sen University Press.
Xie, Z. (1987). Selected contemporary experimental Chinese poems. Chunfeng Art and Literature Press.
Zhao, Q. G. (1999). Decorative painting. Yellow River Press.
Zhou, H. A. (2002). On film tendency of contemporary Chinese drama. Journal of Shandong Teachers’ University, 4.
Zhu, L. Y. (1997). Utopian spirit. Western literary theories. East China Normal University Press.
- There are currently no refbacks.
How to do online submission to another Journal?
If you have already registered in Journal A, then how can you submit another article to Journal B? It takes two steps to make it happen:
1. Register yourself in Journal B as an Author
Find the journal you want to submit to in CATEGORIES, click on “VIEW JOURNAL”, “Online Submissions”, “GO TO LOGIN” and “Edit My Profile”. Check “Author” on the “Edit Profile” page, then “Save”.
Go to “User Home”, and click on “Author” under the name of Journal B. You may start a New Submission by clicking on “CLICK HERE”.
We only use four mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: firstname.lastname@example.org; email@example.com; firstname.lastname@example.org; email@example.com
Copyright © Canadian Academy of Oriental and Occidental Culture (CAOOC)
Address:730, 77e AV, Laval, Quebec, H7V 4A8, Canada
Telephone: 1-514-558 6138