The Manifestation of Sexual Repression, Gender in Popular Music: A Case Study on Katy Perry
Abstract
Michel Foucault had discussed that the repression of sexuality was a manipulation of ideology by dominant group. He stated that sexual repression was nothing but a hypothesis that allowed the agencies of power (bourgeoisies, or males) to verbalize sexuality to satisfy their pleasures and desires. On the other hand, women repression has been long existed in popular music culture. The empowerment and independence of women, therefore, became a breakthrough in the history of popular music. However, the author made an assumption that the repressive hypothesis also occurred in this music-gender context. This paper critically analyzed Katy Perry’s hit single “Teenage Dream” by applying Foucault’s statements in finding the implication of the women repressive hypothesis. The study showed that the traditional context of sexual repression has been transferred to a masculinity-femininity conflict where the repression of womenwas only a hypothesis, raising a conclusionthat the liberation of women in popular music is the pleasures of the patriarchy.
Keywords
Full Text:
PDFReferences
Alcoff, L. (2010). Cultural feminism versus post-structuralism: The identity crisis in feminist theory. In W. K. Kolmar & F. Bartkowski (Eds.), Feminist theory: A reader (3rd ed., pp.368-378). New York: McGraw-Hill.
Cohen, S. (1997). Men making a scene: Rock music and the production of gender. In S. Whiteley (Ed.) Sexing the Groove: Popular music and gender (pp.17-36). London, UK: Routledge.
Danaher, G., Schirato, T., & Webb, J. (2000). Understanding foucault. London: Sage Publications.
Dinh, J. (2012). Katy Perry’s ‘Part of Me’ film inspired by Madonna. MTV.
Foucault, M. (1978). The History of Sexuality, 1. New York: Pantheon Books.
Frith, S., & McRobbie, A. (1990). Music and sexuality. In S. Frith & A. Goodwin (Eds.), On record: Rock, pop, and the written word (pp.371-389). New York: Pantheon Books.
Larrain, J. (1996). Stuart Hall and the Marxist concept of ideology. In D. Morley & K Chen (Eds.), Stuart Hall: Critical dialogues in cultural studies (pp.47-70). London: Routledge.
Lewis, L. A. (1993). Being discovered: The emergence of female address on MTV. In S. Frith, A. Goodwin & L. Grossberg (Eds.), Sound and vision: The music video reader (pp.129-151). London: Routledge.
Longhurst, B. (1995). Popular music and society. Cambridge, UK: Polity Press.
McDonald, P. (1997). The male body in Take That videos. In S. Whiteley (Ed.), Sexing the groove: Popular music and gender (pp.277-294). London, UK: Routledge.
Mercer, K. (1993). Notes on Michael Jackson’s Thriller. In S. Frith, A. Goodwin & L. Grossberg (Eds.), Sound and vision: The music video reader (pp.93-108). London, UK: Routledge.
Sawicki, J. (1991). Discipling foucault: Feminism, power, and the body. New York: Routledge.
Shepherd, J. (2003). Media, industry and society. Continuum Encyclopedia of Popular Music of The World, 1. London: Continuum.
Vena, J. (2008). Katy Perry responds to rumors of parents’ criticism: ‘They love and support me’. MTV.
Whiteley, S. (2000). Women and popular music: Sexuality, identity and subjectivity. London: Routledge.
DOI: http://dx.doi.org/10.3968/4460
Refbacks
- There are currently no refbacks.
Copyright (c)
提醒
- 如何在线投稿到其他期刊?
- 如果你已经在A期刊注册了,那么如何向B期刊投稿呢?需要两个步骤才能实现:
1. 在 Journal B 上以作者身份注册
- 在类别中找到您要投稿的期刊,点击“查看期刊”、“在线投稿”、“登录”和“编辑我的个人资料”。在“编辑个人资料”页面上选中“作者”,然后“保存”。
2. 提交
提交文章: http://cscanada.org/index.php/css/submission/wizard
- 进入“用户主页”,点击期刊B名称下的“作者”。您可以点击“点击此处”开始新的提交。
- 我们仅使用以下三个邮箱来处理论文接收、付款以及期刊电子版提交数据库等问题:caooc@hotmail.com ;css@cscanada.net ;css@cscanada.org
在《加拿大社会科学》 上发表的文章 已获得 知识共享署名 4.0 (CC-BY)许可。
加拿大社会科学 编辑部
地址:1055 Rue Lucien-L'Allier, Unit #772, 蒙特利尔, QC H3G 3C4, 加拿大。
网址: http://www.cscanada.net http://www.cscanada.org
邮箱: css@cscanada.net、css@cscanada.org
版权所有©加拿大东西方文化学院