The Comparison and Development of Color Between East and West
Take a panoramic view of the painter’s application of color, almost everyone strengthens his self-cultivation positively. Chinese ancient ancestors established “the five elements” as the symbol of color to the space, and it’s a kind of presentation of spontaneous philosophy. Chinese painting values verve highly, while Western painting lionizes are more about similarity in shape. But the appearance of modernism in the end of 19 century makes them close, in the mean time the art between east and west had achieved a considerable unification which means there is no border between the arts.
Key words: Color; The Chinese painting; The western painting; Development
Chen, Zhidong (1990). The Function and Significance of Chinese Painting Color. The Observation of Art, (10), 71-73.
Kong, Xingmiao (2005). The Comparison of Chinese and Western. Henan Art Press.
Li, Guangyuan & Li, Li (2006). The Comparison of Chinese and Western. Hebei Art Press.
Lin, Fengmian (2006). Chinese Painting New Tradition Chinese Art Research Institution (Doctoral dissertation).
Xiong, Wei (2005). The Collision of Aesthetic Conception of Chinese Painting and Philosophical. The Observation of Art, (12), 92.
Zhao, Xinge (2001). The Century Collection of Chinese Paintings People (1st ed.). Art Press.
- There are currently no refbacks.
If you have already registered in Journal A and plan to submit article(s) to Journal B, please click the CATEGORIES, or JOURNALS A-Z on the right side of the "HOME".
We only use three mailboxes as follows to deal with issues about paper acceptance, payment and submission of electronic versions of our journals to databases: firstname.lastname@example.org; email@example.com; firstname.lastname@example.org
Copyright © Canadian Academy of Oriental and Occidental Culture
Address: 758, 77e AV, Laval, Quebec, H7V 4A8, Canada
Telephone: 1-514-558 6138